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Thursday, September 15, 2011

Stoned Listening: VHS or Beta's Diamonds and Death Doubles Down on the Latter

Posted By on Thu, Sep 15, 2011 at 7:00 AM

click to enlarge ListenWhileHigh_thumb_500x90.jpg

Listen to this while high: VHS or Beta's Diamonds

and Death.

click to enlarge diamonds_and_death.jpg

Behind the buzz: Last

heard from with the ferocious Bring On

the Comets in 2007 and now winnowed to founders Craig Pfunder and Mark

Palgy, VHS or Beta return to a fair hairier and more stolid rock scene than the

frenetic late Dubya years. Formed still further back in history's deep-freeze

in 1997, the act's been accused of going pop for so long any memory of what

they're supposed to have sold out from has dropped like chump change through the

threadbare pockets of subcultural memory. A distant early warning the big,

glossy Eighties new wave sound is chucked for a singles-based, radio-effusive

approach proves worse than true.

This week's dope:

The last shavings of Mars O.G., brunch of champions.


Seven and the

Ragged Dubstep: The opening pulse of "Breaking Bones" and Pfunder's winsome

Simon LeBon bleat shows VHS or Beta hasn't completely abandoned Thatcher-era

Britpop as touchstone. This clever bit of highly marketable angst precedes the eloquent

bottle service reverie "Under the Sun," in which loneliness is celebrated to

something too urbane and tasteful to be excess. The title track strikes as a sophisticated

sigh of closing-time boredom, particularly when the yawns are one's own. The

single, "I Found a Reason," is more hopeful, rote-rhyming "fire," desire," and

"higher" in an effort to raise ambient temperatures above meat-locker level, a

trick "Everybody" finally manages through familiar dancefloor utopianism. "All

Summer in a Day" is a vow of devotion that ends to too abruptly for

credibility, but "Eyes" is an uplifting take on the same sentiment prettified

by harmonies and bright synth runs. "Jellybean" closes things out with a fine

burst of closing-time melancholia, giving the impression of a roving Arriflex

camera in a nightclub, stopping to land briefly on every bored, ecstatic,

drugged-up face before we're whisked into the indifferent night. VHS or Beta

being self-crammed into the awkward position of having to compete with the

likes of Cut Chemist or Sander Kleinenberg for audience share, this album is a neon-drenched

blind alley.


Psychotropic verdict:

Weed and dance clubs don't mix for many reasons, not least being

difficulties in getting the stuff past the doorman grubbing his eleven sausage-like

fingers through your gear. Worse, the music on tap within typically sports

neither the variety nor bravura performance to hold a doper's

distraction-seeking mind. Well, Diamonds and

Death replicates the same aesthetic experience without burdens of cover

charge or the hordes of eager, money-waving clubkids thinking a

sleazoid-looking rocker like you must be the resident coke dealer. If you only

go out to a club once a year, buy this album instead.

VHS or Beta's Diamonds and Death is out Sept. 27 on Krian Music Group/Chromosome Records.

---- 

Follow us on Twitter @SFAllShookDown, follow Ron Garmon @RockyRedGlare, and like us at Facebook.com/SFAllShookDown.

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