An exhibit Claude Monet’s final 13 years that includes paintings of water lilies that were never publicly viewed during the Impressionist master’s lifetime.
His unusual approach leads many people to believe he uses actors or that he’s part of the surveillance state.
Putting polite euphemisms to rest in this photographic exhibit on Japanese-Americans during World War II.
Alberto Ybarra’s mural at 3210 21st St. in the Mission is an homage to his hometown, San Juan Cítala in Mexico’s Jalisco State.
Hosfelt Gallery’s “Michael Light: Great Basin Autoglyphs and Pleistoseas” is nothing short of transfixing.
“Black Refractions: Highlights from The Studio Museum in Harlem” shows the full breadth of figures from the 1930s onward whom the establishment inexcusably overlooked.
Having represented the U.S. at the Venice Biennale, the foundational video and performance artist’s multimedia installation They Come to Us Without a Word makes its American debut.
1193 York St. (at 24th Street)
Artists like Cate White and David Bayus tackle identity head on — even if it’s not an identity they themselves share (through March 24).
“Art and China after 1989: Theater of the World” at SFMOMA proves that museums are becoming the new locus of world cinema.
