Behind the scenes of “It’s Castro, Bitch!” and the other works at 19th and Castro streets.
Two exhibits by Ben Aronson and Phillip Maisel recast San Francisco as an impossibly vertical city amid California’s atmospheric beauty.
“After the Thrill Is Gone,” Zimbabwean artist Kudzanai Chiurai’s exhibit at the Museum of the African Diaspora, tests the hopes and disappointments of post-Apartheid South Africa and neighboring Zimbabwe.
A new commission and a 30-year-old work on Third Street speak volumes about the neighborhood.
152 Clement St. (at Third Avenue)
Susan Meiselas’ photographs of Nicaragua, Iraq, and elsewhere capture the horrors of war — and you’ve no doubt seen them even if you don’t know who took them.
Three decades after his death from an AIDS-related illness, the ‘totally unreachable’ photographer first career retrospective, ‘Peter Hujar: Speed of Life’ comes to the Bay Area.
Zak Ové’s Invisible Man and the Masque of Blackness refers to the plight of the African-American male.
An SFMOMA exhibit on a persecuted minority challenges photojournalism’s emphasis on separation between artist and subject.
Lauren YS’s Mushroom Eater at 426 Brannan St. was pivotal to the street artist’s career.
