There are repercussions from skinning your wife’s cat, in Jen Silverman’s play at Marin Theatre Company.
Shotgun Players’ polite production of two Washington lobbyists and their prey runs through June 22.
The actor channels Grace Jones, James Baldwin, and others in his one-man follow-up to the well-received Type/Caste, as part of the National Queer Arts Festival.
Frank Galati directs a stunning production of Eugène Ionesco’s absurdist play, at A.C.T. through June 23.
Jordan’s got the wedding bell blues in Joshua Harmon’s (un)romantic comedy, at SF Playhouse.
The Kilbanes’ rock opera (April 30-May 12, at the Strand) adapts the ultra-violent, cannibalistic story of Philomela and Procne into something beautiful.
A spirited retelling of William Makepeace Thackeray’s novel (at A.C.T. through May 12) ricochets from comedy to musical, with a few missed opportunities.
Catharsis comes late in life for the matriarch of the Ufot family, by Mfoniso Udofia.
Joe Murphy and Joe Robertson affirm the humanity of the Calais Jungle immigrants.
Gesturing towards performance art and dance, Geoff Sobelle’s carefully choreographed work honors domesticity and the mime.
