“Black Refractions: Highlights from The Studio Museum in Harlem” shows the full breadth of figures from the 1930s onward whom the establishment inexcusably overlooked.
Judy Dater’s retrospective at the de Young Museum insists that the celebrated photographer is much more than one iconic image.
Her back to the camera, the woman wears a regal black dress as she stares at a landscape of old, whitewashed homes. The photograph's…
“Facing the Mask.” What is a face? Deborah Barrett never tires of the question, cutting up her own exquisite portrait drawings and reassembling them…
On the anniversary of Hurricane Katrina, a historic look at New Orleans
