It might be tired if produced now, but the 1987 Merchant-Ivory adaptation of E.M. Forster’s gay novel — published posthumously — was way ahead of its time.
A black-and-white boxing film that’s one of the best movies of 2017 so far.
Annette Bening in a cross between I Remember Mama and A Portrait of the Artist
You know that Japanese print of the huge wave you had in college?
