Jordan’s got the wedding bell blues in Joshua Harmon’s (un)romantic comedy, at SF Playhouse.
Light and dark — but mostly light — in SF Playhouse’s revival of a Stephen Sondheim classic, Sunday in the Park With George, through Sept. 8.
The way that men and women fall in love is less predictable and more complicated than a female praying mantis devouring her male lover after an enjoyable afternoon of green-skinned coitus.
In Lucy Prebble’s play, a scientist afflicted with depression doesn’t just measure her patient’s responses from a clinical distance. Her own mental health is at stake.
How do you make the phrase “white trash” seem even more inflammatory? Replace a family of low-income Caucasians with a Black family midway through a play.
A psychological play about a woman who blames her mother for her abandonment, “eventually causing more harm than the woman she despises.”
The 1984 Tony winner for Best Musical, La Cage Aux Folles is “an affirming — if sanitized and sexless — depiction of a gay couple” that’s become sweeter with time.
